Review: ‘Rebel Moon – Part Two: The Scargiver’ is a nadir for Zack Snyder, and streaming cinema as a whole

Review: ‘Abigail’ would’ve been a must-see horror movie if its own marketing hadn’t sabotaged it

Review: ‘The People’s Joker’ probably succeeds as its own court jester, but isn’t so much for the people

Review: ‘Civil War’ is a symphony of doom, and we all need to listen up

Review: ‘Back to Black’ swaps exploitation for eggshells in a puzzling look at Amy Winehouse’s past

Review: ‘Knuckles’ is cringy, corny, nonsensical, and the best chapter in Paramount’s ‘Sonic’ franchise

Review: ‘Avatar: Frontiers of Pandora’ delivers on the promise of the wild blue yonder

Review: The ‘Modern Warfare III’ campaign is the disaster ‘Call of Duty’ fans had been anticipating for years

Review: ‘WarioWare: Move It!’ is more of an exercise in frustration than actual exercise

Review: ‘Alan Wake II’ is a spectacular synthesis of cinematic showmanship and gameplay excellence

What happened to Aaron Kaufman from Gas Monkey Garage and ‘Fast N’ Loud’?

‘I hope it was worth never seeing your grandkids again’: Mom gets perfect revenge on scheming grandma who told police she was assaulting her children

Diaper Don is desperate to be ‘Daddy Trump’ again, but the stench of his past is far too potent

It’s back to first grade for Marjorie Taylor Greene, who can’t even list Mike Johnson’s ‘three betrayals’ without another a grammar fail

The stars have spoken — Prince Harry’s presence in Prince William and Kate Middleton’s life is permanent